You then know exactly how you sound to the outside world. www.k0bg.com. eHam.net is a community web site for amateur (ham) radio operators around the world. Also, you dont have the benefit of hearing all the net effects of AGC, etc., like other stations receivers, are employing. These are our recommendations. The 7300 is a terrific value. Follow the instructions on pages 28 and 29 of the K3 Operating Manual. Kenwood rigs present relatively few problems in interfacing to Heil products. Available Values: 1 ~ 10 Default Setting: 1 FT-950 O Page . Rag chewers HATE a contest sound and a rag chewer sound doesn't work in a pileup. Good info, also if you have the free Yaesu PCC-950 rig control software you can setup and save the EQ settings in graph format. No you are correct. Now, I am not telling you that this is the end all. The FT-2000 bypasses the first mic preamp. SO SO important and this + 8 dB boost at 2400 - 3000 HZ is the good starting point for that. It's a difficult subject to broach without someone feeling as if it is their toes that are being stepped on, but here goes. Problem solved. I use the RA200 with an Icom 7300 and get great results with no "dog house" box. Set filter one to 200 Hz. Bandwidth Q 5 Menu 096 Bandwidth
In the menu go to Radio Settings. It is clipping the mic preamp. These assignment Menu numbers are different for the other Yaesu rigs but the level settings are the same. The bandwidth in which youre listening probably is restricted, so you might make adjustments that over-compensate for this, leaving you with too much treble, too much bass, or both! The objective is to listen to a signal at a level of about S7 on the monitor receivers S-meter. I also agree with W3DBB in regards to some of the modern day audio. There is no "perfect" setting, it's all subjective. As mentioned in the Yahoo FT-950 group the 094 EQ 2 Freq does not go below 700Hz on my and other's FT-950's. Follow this guide for simple instructions on how to get your rig set up so that you sound great on the air. (This includes any inappropriate posts on a topic, as I cannot monitor every topic.) The iC element also works tremendously well with the modern types of Icom rigs, making it an ideal all-around microphone. They unbalance that 8 pin round mic connector input with their typical Pin 8, pin 7 connections. Thanks to GM0ONX for this drawing. for different settings and have multiple transmit profiles for quick access. You are the station engineer. Keep in mind the iC elements were designed specifically for the early iCOM rigs with low mic preamp gain. You can adjust the parameters of the microphone audio. And I dare say, microphone gain is the one control on modern transceivers, almost no one gets right! For the ladies, peak vocal power occurs at 700 Hz. You can follow this on Page 61 of the FT 950 manual. You will see a frequency analysis of your voice using your mic. If you want to cut some low end, you notch -20 dB at 100 Hz. BOOST + 8 dB Menu 098 Notch or Boost
Menu Q4 (or Q6, depending on the version of 706) gives you the ability to shift the filter passband, much like IF Shift on receive. These menu assignment numbers change rig to rig. In other words, the lower number seems to have a lower Q, so the filter affects more frequencies. Again YOU have to make the final decision by listening to your own signal. Shaping your audio and hoping the radio has a flat response is wishful thinking. It is clipping the mic pre amp. Just contact your dealer to get the HSTA-706 Adapter Cable, and the Traveler should work perfectly using the factory default settings on the rig. All of my Icom friends got the same headset when they tried mine! Icom HF rigs fall into three distinct categories, as far as microphone interfacing is concerned. ALWAYS remember to hold the MENU button for about 3 seconds to save any of these needed items. All of my Icom friends got the same headset when they tried mine! Do you have a wide range studio or broadcast microphone, or perhaps one of Heil Sounds high-articulation microphones using the HC-4 or HC-5 elements? "Set filter one to 200 Hz. Always adjust mic gain by watching the ALC meter. Wide is 2.9 kHz. Cutting these frequencies will reduce intelligibility. The K3 also has an ESSB mode, with a wider transmitted bandwidth for high fidelity operating. All of my homebrew mic adapters connect both the mic cable shield and the footswitch ground lead to the shell of the 8-pin connector instead of the mic ground and PTT ground pins. 63 +6. You may also select HB2 (High Boost 2) if youre using a wide-range microphone, like the PR 781, on the TS-590. Surprised ? Alan, KBG
On the GM-4 and GM-5, use only the Narrow element, as the Wide element has too much bass response for this rig. Selection 2 emphasis high frequencies, while 3 cuts both low and high frequencies, emphasizing mid-range.Menu 25 (MIC GAIN): 85Menu 27 (Compression) 80Menu 64 (T LSB CAR): Set to -100 Hz for rag-chewing, _150 Hz for DX/contest work.Menu 65 (T USB CAR): Set to -100 Hz for rag-chewing, _150 Hz for DX/contest work. The MH-31b can sound decent with the proper settings. I ultimately traced it to the headset's mic cable having inadequate shielding (spiral-wrapped fine stranded wire that provided perhaps 70% coverage instead of a braided or aluminized mylar shield). Further, nothing is said about how to use the microphone, which is another issue almost no one gets right. I am a new owner of an FT-950 and found that the stock MH-31 mic with no processing and no EQ (only because I have not gotten that far yet) has been getting unsolicited audio reports of "excellent, great, outstanding" etc. Set the TX BW to 400 -2600Hz for DX/Contest work. We have explained one filter. Now, I will explain how I arrived at these settings which are particular to my voice. are particularly well suited for these rigs, and particularly so in the case of the FT-950. Don't give up on this incredible piece of technology. All of the new Yaesu series 9000, 5000,2000 and the FT 950 have a balanced audio input on the audio board but they do not use it. Truly a game-changer in the amateur radio transceiver market. not surprising - anyone remember the 2001 post 'I hate 75 Meters'? HEIL ICM electret Condenser on the YaesuAll Yaesu transceivers are set up to use low gain, passive dynamic microphones into their high gain microphone preamplifiers. FT-950 transceiver pdf manual download. : Nice article. The FTDX-9000D features unmatched close-in dynamic range, flexible selectivity choices due to its advanced 32-bit DSP filtering, a high-resolution TFT display, and high power:. The High Boost 2 selection will suppress the lower frequencies, and give you more sparkle on the high side, for good communication-quality audio. The K3 includes a versatile 8-band transmit equalizer, which is adjusted separately from the receiver equalizer. The first and most important adjustment will be the transmit bandwidth. SMOKE CITY!!! HT 3-pin 3.5 mm Plug (All VHF/UHF HT except TH-F6/7*)Tip: +4VRing: Microphone InShaft: PTTNote: Ground is sourced from the shaft of the 2.5 mm plug.Heil Sound is investigating interfacing issues on these models at the present time. It will NOT support dynamic microphones. Options abound as how to tweak transmit audio to a precise sound. At least that is how my radio works.I think the article explains it the other way. I use Audacity for making contest recordings. Be sure to read the chapter "Parametric Microphone Equalizer" in your YAESU transceiver operating manual. Please see ouradapter selectorto find the right cable for your rig. Yaesu Parametric EQ Bob Heil, K9EID INITIAL SETTING OF THE FT 950 and HEIL microphone First, you need to set the transmit bandwidth. Set up all the EQ settings to the Heil recommended settings even if you are NOT using his mics. If you set this first filter frequency to 200Hz. When you have the speech processor engaged (COMP ON), set the compression level for about 5 dB of compression on voice peaks. For best results please consult your owners manual. The K3 utilizes the Kenwood protocol for connections to its front panel 8-pin mic jack, so use the CC-1-K for 4-pin XLR mics (GM Series, HM-10 Dual, and Handi Mic}, and use the CC-1-XLR-K for connection to 3-pin XLR mics (PR-781, etc.). Because of this low gain mic preamp Our GM, Goldline, HC 4 or HC 5 elements will not work. Thanks for the article. For Icom mobile rigs, use the HSTA-706, and for Icom HTs use the HSTA-iHT. Options abound as how to tweak transmit audio to a precise sound. and have the parametric Bandwidth control set to a wider setting (say 10), the filter will encompass the audio frequencies from about 100 Hz to 400 Hz. Set EQ2 Frequency to 900 Hz, EQ2 Level to -10, and EQ3 Bandwidth to 2.
If affects just a small slice of the audio if the bandwidth is set to a narrow number or setting. Note that the mics and boom sets using the HC-5 elements (GM-5, Pro Set 5, etc.) There are many inter-dependent adjustments on the K3, and the setup instructions on those pages are excellent. A Parametric EQ usually has only 3 filters. If you want to cut some low end, you notch -20 dB at 100 Hz. CUT -6 dB Menu 095 Notch or Boost
You will want to listen to your signal in a second receiver and make small minor adjustments to tailor the audio you desire.The receiver also has a great equalization circuit so adjust the treble and bass to your listening preference. A few tweaks in the Icom menu is all that is needed to adjust bass and treble to YOUR taste. An adapter was made to connect the headset to the radio. It is the only way you will absolutely know how you sound to the outside world. Why buy a PR series mic if you are going to restrict the bandwidth from 200-2800 then roll off all the lows? Set EQ3 Frequency to 2100 Hz, EQ2 Level to +10, and EQ3 Bandwidth to 2. That sounds like a broadcast station. This is going to reduce that significantly. The first step is to disconnect the antenna on your monitor receiver. The 200-Watt "D" (Deluxe, fully equipped) as well as the 400-Watt . Set the TX Equalizer to 2 for local rag-chews, 9 for DX work (1 is also good), and use the 4 setting when using mics with the HC-4 element. But, you dont need to worry about that so long as you purchase the correct adapter cable to go with your dynamic microphone. Menu 00 : Adjustment Level -21Menu .3 : Adjustment Level -16Menu .6 : Adjustment Level -14Menu .9 : Adjustment Level -7Menu 1.2 : Adjustment Level -5Menu 1.5 : Adjustment Level -1Menu 1.8 : Adjustment Level +1Menu 2.1 : Adjustment Level +4Menu 2.4 : Adjustment Level +6Menu 2.7 : Adjustment Level +6Menu 3.0 : Adjustment Level +6Menu 3.3 : Adjustment Level +6Menu 3.6 : Adjustment Level +6Menu 3.9 : Adjustment Level +2Menu 4.2 : Adjustment Level +2Menu 4.5 : Adjustment Level 0Menu 4.8 : Adjustment Level 0Menu 5.0 : Adjustment Level0. Compression: Adjust for ALC mid-scale on voice peaks. If affects just a small 'slice' of the audio if the bandwidth is set to a narrow number or setting. . Never see that even close to the red, Equalization: Normal rag chew conversation Bass: -2dB Treble + 4dB, DX or pileup busting audio Bass 5 dB Treble +5 dB, Compression: ON (if you desire) 10 oclock no more. Boost it with that adjustment but it is best to reduce (notch) that low end a bit for cleaner and clearer audio. Set to 3000. For headsets, use the AD-1-K for connection to the front panel mic jack. Jeez that's sounds like an awful lot of work. These settings are credited to a great friend Randy/K0RWB.thanks Randy! Now we move onto the Parametric. Mic gain at 11 - 12'o clock PROC gain at 9 - 11'o clock (any more than 11'o clock . To build the largest and most complete Amateur Radio community site on the Internet - a "portal" that hams think of as the first place to go for information, to exchange ideas, and be part of whats happening with ham radio on the Internet. The other contributor was the so-called Pin 1 problem (Google it). The iCOM 718 is a terrific value. However, the process became a hobby in itself. The menu numbers vary from radio to radio and are not even consistent within the vintage of the FTdx9000, so follow these guidelines according to function. Set audio frequency to 1 kHz. Click hereto view pinout information for hundreds of rigs, mics, and connectors. Mic Gain: Set to 50% for iC elements, 80% for dynamic elements. Again, nice article. Be sure to listen to yourself on a separate receiver (with its antenna disconnected and noise blanker turned off) as you make fine adjustments to optimize the settings for your operating situation. You may get by with a .68 F or a .47 uF, but anything less (.01 F, .005 F, etc.) The all important issue is the third filter where you achieve speech articulation. Bob was kind enough to send me this info, so I am passing it along to the owners of FT-950's. DSP Setting Example: Yaesu FT-920. I'm getting comments that my mic gain is ok but too much bass in my voice. WIDE TBW Set to Wide for Fidelity, Mid for everyday operation, or NAR for very aggressive DX pile-up busting (significant roll-off of low frequencies will occur). Mar 26, 2019. Many calls a day come through the Heil Sound facility with RF issues.". HF/50 MHZ TRANSCEIVER. For most, roll off the low end by setting the first filter at 200 Hz. with the audio signal level adjusted to get 100 W RF with no ALC deflection. Try moving Menu 102 to 300, Menu 119 to 300 HZ, Menu 128 to 300. You set the frequency of the filter. If you set the Bandwidth control of the Parametric to 1 or 2, the notch or boost you have set will only affectabout 150 to 250 Hz. Never any more. The results have been gratifying for DX pileups and contesting. As a new owner of an FT-950, Thanks so much for a great article. Already in the battery box is a load resistor & 1 uF capacitor.The headset can be plugged directly into your PC without the battery box. A 10:1 voltage divider was added. Internal EQ Settings in PowerSDR: EQ 10 Band (internal settings) External EQ recomended. You may be able to adjust to 100 as long as it doesnt overload and sound too bassy.Press the Menu and rotate the SELECT knob so it reads TX BPF (Transmit Band Pass Filter). Any suggestions on eq would help. The FTDX-9000 is a groundbreaking HF/50 MHz Elite Class Transceiver from the YAESU Engineering Team. Orders only: Toll Free: 877-739-2449 Land Line: 845-889-4253 [email protected] W2IHY Technologies Inc. 19 Vanessa Lane, Staatsburg, NY 12580 CQ Region 21 Dealer. Remember to set the Mic Gain and Mic Bias properly, as described above. FT-450The FT-450s Microphone Equalizer Menu item (MIC EQ) is very simple in its adjustment. You then set the Bandwidth of that filter and finally, you tell the filter if is notches (cuts, reduces) or boosts that filter frequency. This HAS to be shown as it turns the parametric EQ on. Transmitter IMD specifications on most amateur transceivers were never all that great. Yes, you have to read the manual! The FT-2000, FT-950 and FT DX 5000 have a three-band Microphone Equalizer to enable you to adjust and enhance the transmitted audio very precisely. FT-847Menu 42: On (this engages the Extended Menu).Menu 92: +5 to +10 to start, +15 for DX/Contest work.Menu 93: -5 to -10 to start, -15 for DX/Contest work.Note: The ideal setting may differ between USB and LSB, depending on other alignments in the rig. Set Menu 5-9 (TFIL) to 6.0; set Menu 7-7 (SSB-t option) to 100-3100 Hz for fidelity, 300-3100 Hz for DX work. N5TGL, I know that it may seem counterproductive to make a cut a 400Hz, but that is the way it seems to work with many SSB transceivers. You simply select the needed frequency, boost or notch that frequency and set the bandwidth as to how wide you need to affect. Interesting and well written article. Proc level: 20. TS-950SDXMenu 20 (DSP 1 HPF): 100Menu 21 (DSP 1 LPF): 3100, TS-570Menu 13 (Bandwidth): 2.4 kHzMenu 14 (TX EQ High Boost): HMicrophone Gain: 50 (Default Level), TS-870Menu 29 (Bandwidth): 3000 HzMenu 30 (Bandshift): 0 or 100Menu 31 (TX EQ): H or CMenu 32 (RCV EQ): C or OffMicrophone Gain: 50 (Default Level)Menu 22 (Mic AGC): 1 (but try 0 and 2), TS-2000Menu 22 (Bandwidth): 3000 HzMenu 21 (TX EQ): H or CMenu 20 (RCV EQ): C or OffMicrophone Gain: 50 (Default Level). I did have to make an aircraft mic to 1/8 stereo cable. W3RJW 2/12 If there are any problems please let me know. Keep in mind this will have much more output and may overdrive the mic preamp so keep ALC in range.See pages 13 and 20 of the K3 Operating Manual. TS 590 Menu 25 and 26 Bandwidth. Oddly, the word gain doesn't appear in the text. Read the operating manual, especially on page 32, and then try out the many available bandwidths and equalization possibilities. IMHO, it is a good idea for hams to have some sort of quality monitoring setup as part of their shack. Set Menu #13 (Bandwidth) to 2.4 kHz, and Menu #14 (TX EQ High Boost) to H for most applications. That will be good for starters. You may find it easier to get additional talk power, without distortion, by leaving the processor off and utilizing the 400-2600 Hz transmit bandwidth, perhaps with a little additional mic gain thrown in. Modern Amateur Radio transceivers offer a wide variety of features that may include DSP-based adjustments for your SSB audio. For DX work where you need to cut through pile-ups and noisy conditions, 2.1 to 2.4 kHz will be desired. There is usually some craziness that happens around 400 Hz. Sounds terrible on the product detector as well. You do not need 8, 10 15, or a 31 band EQ when we are only dealing with a 3,000 Hz wide signal. I did have to make an aircraft mic to 1/8 stereo cable. Vertical antennas and indoor horizontal antennas in close proximity to poorly shielded modern amateur transceivers. That 4 kHz transmit bandwidth you read about is -9 dB at the high & low frequency limits.The Yaesu owners manual on page 134 says: " SSB audio response not more than -6 dB from 300-2700 Hz". Last, Heil's cables contain a small jumper wire from mic shield pin of the connector to the shell of the mic. Use the same settings for the Processor On menu items. heilhamradio.com lists some Parametric settings (MIC EQ and PROC OFF), but none for P Parametric (MIC EQ ON and PROC=35). Audacity is so much better than a tape recorder! #1. Just as all EQ settings, we can only give you starting points for your transceiver. If you need any help, we are glad to assist you with writing your article based on the information you supply. For everyday conversation, 100 2900 Hz. The first thing to set with any transmitter is the transmit bandwidth. It will walk all over any 300 dollars heil over priced microphone. Microphones like the GM series, Heritage, Classic 4/5 Handi Mic 4/5, and the HM-10 Dual sound great on modern Icom rigs. Now we move onto the Parametric. When I owned my FTDX-1200 I ran a Koss SB40 dynamic headset on it and got many unsolicited compliments on the audio. The LSB settings are inverted from USB, so a setting of -10 on LSB and +10 on USB should sound the same. You simply can't rely on your fellow ham at the other end of a QSO to diagnose audio quality problems. This project involves a management team of volunteers who each take a topic of interest and manage it with passion. There are three and that is all you will need to make your transmitter sound terrific. Big enough that it could also cut the second filter, even with a Q of 5. Great receiver, full coverage 160 through 6 meters. There are parametric EQ's in several Yaesu rigs, and it's great to have a good explanation of how they work, and how they should be set up for "communications audio". Pin connections on iCOM rigs are very straightforward and are shown below. Press the (PROC) button momentarily so MIC EQ shows up on the display. I would shift that down to 100hz, and then only do a 10 dB cut. 98. Set the transmitter bandwidth and then adjust the equalization for the audio response you desire by listening to your signal. With my Heil GM-5 I has the mic gain on the FT-950 set at 14 percent. This is pretty cool until you start having RFI problems, but we shall ignore that possibility for now. "Why use an outboard audio EQ with that rig when there is a damn good EQ built tight in?". My settings are as follows; mic gain @ 25, processor is "on" @ 25. Set that to 200 to 300 on the low end. If you are setting for a normal ragchew conversation, you will want a bit wider frequency response of 2.7 kHz 3.1 kHz . Enter the new iCOM 7300 hybrid SDR. Record a track of your voice.Save the track & select "analyze". Or leave it off. I use these settings and it sounds very good i l. The iCOM 7300 has been updated to work with all Heil Sound iCM. If you experience RF getting into the radio thru the microphone, try adding a clamp-around ferrite choke or two to the mike cord where it goes into the radio. Generally, the modulators of these rigs want you to roll off bass and enhance treble. You may be able to adjust to 100 as long as it doesn't overload and sound too bassy. Yaesu ftdx1200 EQ settings & W2IHY. One for processor off and one for processor on. Equalization settings:Normal conversation Bass -1 to +1 Treble +3DX and contest use Bass -3 Treble +4These are merely beginning settings. They have lots of bass, no mids, no articulate highs so they end up sounding like mush. We have recently come up with the perfect 'fix' for that. Notch or Boost. Also this confuses some, but there are two separate EQ's in this rig. - YouTube 0:00 / 8:38 Yaesu ftdx1200 EQ settings & W2IHY. You then know exactly how you sound to the outside world. Of course, the voice signal is AC, so DC flows one direction while AC flows the other direction all on the same cable. There are three and that is all you will need to make your transmitter sound terrific. If you have more than three frequencies which need attention you have more problems than an equalizer is going to fix! At the same time, DC flows DOWN the mic cable while the mic audio is fed UP the same wire. "How's my audio" is commonly heard throughout the HF Bands these days. Michael Salmi. Owners of modern Icom rigs wishing to utilize the specialized characteristics of Heil Sound dynamic elements (like the current HC-6 and HC-7, and discontinued HC-4 and HC-5) need only obtain the proper adapter cable (AD-1-I, AD-1-IM, CC-1-I, CC-1-IM or CC-1-XLR-I) to ensure proper interfacing. It rolls off at about 150 Hz on the low side, and it has a few dB of boost at about 2100 Hz, but its response otherwise is very natural, and its large-diameter element provides sparkling highs and beautiful audio that responds very well to the audio adjustment capabilities of todays Icom transceivers. FTDXRC can help you to better optimize your TX audio settings with a visual equalizer tool. This will roll off some of the extreme low frequency response. YOU have to make the final decision by listening to your own signal. The same button turns the Compression On or Off also is used to adjust the Transmit Bandwidth Filter. Suddenly, there were just 3 pots! The mic audio level was too hot (high) for my radio. All ICOM transceivers utilize phantom power on their microphone inputs. You must listen to yourself through it monitor system or through a nearby receiver and headphones. There is no "perfect" setting, it's all subjective. Yep, see what Yaesu says. Thank you for getting this into an 'Article'. However, the settings are identical, in principle, to those found in the discussion below for the FT- 920. A friend of mine wrestled with his FTdx101D and PR-781 for a week. EQ PLUS Set the following: Equalizer switch on Bass approx 1:00 pm . We have explained one filter. I use Audacity for making contest recordings. for DX AND CONTEST work, These are initial settings to get you started with a great sounding signal. Remember, you're at 100% duty cycle. These are important factors to consider. Anti-VOX: About 10% or where needed (keep in mind that the speaker level will affect this a lot). Carrier Point (Q4): Try +100 for DX/Contest work, -100 for rag-chewing. We highly suggest our dynamic element microphones (HC-7, HC-5.1 , HC-6, Goldline GM series or PR-781 type). By Dave De Coons, WO2X wo2x@arrl.net Yaesu FT-2000 Set the radio menu's for the following settings: Menu Value 85 1-30 125 100 126 2 127 1 . As always listen to your test signal through headphones connected to a second receiver. IMO if you are using the Yaesu HH mic, use position #2 on the back. A narrow receiver bandwidth impairs your ability to get the full picture. This instantly activates Menu Mode No-048 [DSP MIC EQ].2 Rotate the DIAL to select one of the following equalization choices: OFF: Microphone Equalization Off3 LPF: High Cut (lower frequencies are emphasized)4 HPF: Low Cut (higher frequencies are emphasized)5 BOTH: High/Low Cut (mid-range frequencies are emphasized)6 When you have made your selection, press and hold in the [FUNC] key for one second to save the new setting and exit to normal operation.Menu 016 Carrier Balance -300 to +300 LSB TransmitMenu 017 Carrier Balance -300 to +300 USB Transmit Adjusting These controls will give you a more low response or high response. And then someone tells you, 'You have RF on your audio', and you start checking everything over again! Notice your voice frequency profile where the dB levels go up & down within your vocal response. I would like to hear from anyone that has duplicated this process. Low end, Mid Range, and Highs. I would try 200 - 2800 first. The Elecraft K3 and KX3 are remarkable transceivers. )Pin 1: Microphone In*Pin 5: PTTPin 6: PTT GroundPin 7: Microphone Ground. There will be three important frequencies to attend to. There are three audio filters that you can change their PARAMETERS (thus Parametric EQ). I think that many hams do not realize how versatile modern transceivers are in this regard. You will hear the balance that will please you.As always study the operation guide for further information. Here is what needs to be added to the 8 pin connector to make that electret condenser work. The most important thing is to achieve a nice balance of lows, articulate mids, and crisp highs. If you set the Bandwidth control of the . You want to boost that frequency, you adjust it to + 10dB. My guess is Yaesu will assist with their hand mic but you'll be on your own with the Heil . A Parametric EQ is just as the term implies. Please read pages 35-36, and page 60, of the K3 Operating Manual, in particular, for more details of these subjects. There are too many external path things which can botch up your signal, and those issues can't be corrected on your end. With parametric EQ you can change the parameters of the EQ system. If Using external EQ, turn internal OFF. Kenwood HF transceivers have long been designed for dynamic microphone inputs, so the microphone amplifier stages have plenty of gain to accommodate the wide range of Heil dynamic microphones. With the trend to ever-smaller living spaces RF feedback rears it's ugly head. 8 Band EQ settings for the Yaesu FTX9000. Finally, if you have the ability to select the SSB bandwidth of the monitor receiver, set it as wide as possible. I've had a number of requests to shoot a video series about the Yaesu FT-710 AESS (Acoustic Enhanced Speaker System), similar to my FTdx10 series.
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